Low-Residency MFA Writers Workshop in Paris
WRITE IN PARIS
The NYU Creative Writing Program has distinguished itself for over thirty years as a leading national center for the study of writing and literature, inviting promising new writers to work closely with a faculty of the finest contemporary poets and novelists.
That tradition continues with the low-residency MFA Writers Workshop in Paris, which offers students the opportunity to develop their craft under the guidance of internationally-acclaimed faculty—including Chris Adrian, Catherine Barnett, Mark Doty, Geoff Dyer, Timothy Donnelly, Nathan Englander, John Freeman, Myla Goldberg, Aleksandar Hemon, Katie Kitamura, Jonathan Lethem, Dinaw Mengestu, Eileen Myles, Meghan O'Rourke, Matthew Rohrer, Helen Schulman, Darin Strauss, and Colson Whitehead—while writing and studying in one of the world’s most inspiring literary capitals. Recent visiting writers include Charles
Bock, Olena Kalytiak Davis, Lydia Davis, Geoff Dyer, Marilyn Hacker, Matthea Harvey,
Edward Hirsch, Marie Howe, Hari Kunzru, Nick Laird, David Lipsky, Julie Orringer, Danzy Senna, Brenda Shaughnessy,
Charles Simic, Zadie Smith, Craig Morgan Teicher, Michael Wiegers, and Rachel Zucker, among many others.
The MFA Writers Workshop in Paris constitutes an intimate creative apprenticeship that extends beyond traditional classroom walls.
Over two years, students and faculty convene regularly in Paris for five intensive ten-day residency periods (held biannually in January and July). While in residency in Paris, students participate in a vibrant community engaged in all aspects of the literary arts, including workshops, craft talks, lectures, individual conferences and manuscript consultations, as well as a diverse series of readings, special events and professional development panels. The city of Paris itself—with its literary history and rich cultural attractions—provides an ideal opportunity for students to learn the art and craft of writing, immerse themselves in the creative process, and live the writer’s life.
During the intervals between residencies, students pursue focused courses of study, completing reading and writing assignments under the close supervision of individual faculty members. These ongoing dialogues with faculty are tailored to specific student interests and needs; students are mentored by a different professor each term and work closely with four different writers during the two-year program.
Unlike the traditional MFA, the low-residency program offers both freedom and rigor, balancing the intense and stimulating community of each residency and the sustained solitary work completed in the intervals between. Students are expected to complete substantial writing and reading assignments each term, regularly submitting packets of work in exchange for detailed feedback and critique. Graduating students leave the program with four new literary mentors and a portfolio of letters written by acclaimed writers in response to their work.
In order to receive the MFA, students must attend five residencies, successfully complete 32 credits of coursework, and submit a creative project of at least 75 pages of fiction or 25 pages of poetry. This project consists of a substantial piece of writing– a novel, a collection of short stories, or a group of poems– submitted before the final residency. The project requires the approval of the student's faculty advisor and the program director.
FACULTY MEMBERS INCLUDE:
|Chris Adrian (Fiction) is the author of a short story collection, A Better Angel, and three novels, Gob's Grief, The Children's Hospital, and The Great Night. He has received an NEA grant for fiction writing and a Guggenheim Fellowship, was selected as one of The New Yorker's 20 writers under 40, and recently completed training as a Fellow in Pediatric Hematology Oncology at the University of California, San Francisco. (Photo copyright by Martin Ehleben.)|
|Catherine Barnett (Poetry) is the recipient of a Guggenheim Fellowship, a Whiting Writers Award, the Glasgow Prize for Emerging Writers, and a Pushcart. Her most recent book, The Game of Boxes, published by Graywolf Press in 2012, won the James Laughlin Award from the Academy of American Poets for an outstanding second book. She is also the author of Into Perfect Spheres Such Holes Are Pierced, which received the 2003 Beatrice Hawley Award and was published in 2004 by Alice James Books. Barnett has taught at Barnard, the New School, and NYU, where she was honored with an Outstanding Service Award.|
Mark Doty (Poetry) is the author of Fire to Fire: New and Selected Poems, which won the National Book Award for Poetry in 2008. His eight books of poems also include School of the Arts, Source, and My Alexandria. He has also published four volumes of nonfiction prose: Still Life with Oysters and Lemon, Heaven's Coast, Firebird and Dog Years, which was a New York Times bestseller in 2007. The Art of Description, a handbook for writers, appeared in 2011. His work has been honored by the National Book Critics Circle Award, the Los Angeles Times Book Prize, a Whiting Writers Award, two Lambda Literary Awards, and the PEN/Martha Albrand Award for First Nonfiction. He is Professor/Writer in Residence at Rutgers University in New Brunswick, New Jersey. Two new books are forthcoming, both from W.W. Norton: What Is the Grass, a prose meditation on Walt Whitman and the ecstatic, and Deep Lane, a new volume of poems.
|Nathan Englander (Fiction) is the author of the internationally bestselling story collection For the Relief of Unbearable Urges, the novel The Ministry of Special Cases, and the collection What We Talk About When We Talk About Anne Frank (Knopf, Spring 2012). His short fiction and essays have appeared in The New Yorker, The New York Times, The Atlantic Monthly, and The Washington Post, as well as The O. Henry Prize Stories and numerous editions of The Best American Short Stories. Translated into more than a dozen languages, Englander was selected as one of “20 Writers for the 21st Century” by The New Yorker, received a Guggenheim Fellowship, a PEN/Malamud Award, the Bard Fiction Prize, and the Sue Kaufman Prize from the American Academy of Arts & Letters. He’s been a fellow at the Dorothy & Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, and at the American Academy of Berlin. He lives in Brooklyn, New York.|
John Freeman (Fiction), writer and literary critic, was the editor of the literary magazine Granta, until 2013 as well as the former president of the National Book Critics Circle. His writing has appeared in almost 200 English-language publications around the world, including The New York Times Book Review, the Los Angeles Times The Guardian, and The Wall Street Journal. He is the author of The Tyranny of E-mail: The Four-Thousand-Year Journey to You Inbox(Scribner, 2009), and, most recently, How to Read a Novelist(FSG, 2013).
Myla Goldberg (Fiction) is the bestselling author of The False Friend, Wickett's Remedy, and Bee Season, which was adapted to film, was a New York Times Notable Book for 2000, winner of the Borders New Voices Prize, and a finalist for the Hemingway Foundation/PEN award, the NYPL Young Lions award, and the Barnes & Noble Discover award. She is also the author of the essay collection Time's Magpie and the children's book, Catching the Moon. Myla’s short stories have appeared in Harper's. She teaches at Sarah Lawrence and Brooklyn College.
|Aleksandar Hemon (Fiction) is the author of The Lazarus Project, which was a finalist for the 2008 National Book Award and National Book Critics Circle Award, and three collections of short stories: The Question of Bruno; Nowhere Man, which was also a finalist for the National Book Critics Circle Award; and Love and Obstacles. His first nonfiction title, The Book of My Lives, appeared from Farrar, Straus and Giroux in 2013. Born in Sarajevo, Hemon visited Chicago in 1992, intending to stay for a matter of months. While he was there, Sarajevo came under siege, and he was unable to return home. Hemon wrote his first story in English in 1995. He was awarded a Guggenheim Fellowship in 2003 and a “genius grant” from the MacArthur Foundation in 2004. He lives in Chicago with his wife and daughter.|
Katie Kitamura (Fiction) is the author of the novels Gone to the Forest and The Longshot, both of which were finalists for the New York Public Library's Young Lions Fiction Award. The Longshot is currently being developed into a feature film. Katie has written for numerous publications, including The New York Times, The Guardian, Granta, and Wired, and is a regular contributor to Frieze.
Meghan O'Rourke (Poetry) is the author of The Long Goodbye (Riverhead), a memoir about grief, and the poetry collections Once and Halflife (W.W. Norton). A former poetry editor for The Paris Review, she is also a culture critic for Slate magazine and a founding editor of the web site Double X. She is the recipient of the 2008 May Sarton Poetry Prize. Her essays and poems have appeared in The New Yorker, Poetry, The Kenyon Review, Best American Poetry, 32 Poems, and more. She lives in Brooklyn, New York, where she grew up.
Matthew Rohrer (Poetry) is the author of A Hummock in the Malookas, Satellite, A Green Light, Rise Up, A Plate of Chicken, and Destroyer and Preserver. With Joshua Beckman he wrote Nice Hat. Thanks. and recorded the audio CD Adventures While Preaching the Gospel of Beauty. Octopus Books published his action/adventure chapbook-length poem They All Seemed Asleep in 2008. His poems have been widely anthologized and have appeared in many journals. He’s received the Hopwood Award for poetry and a Pushcart prize, and was selected as a National Poetry Series winner, and was shortlisted for the Griffin International Poetry Prize. Recently he has participated in residencies/ performances at the Museum of Modern Art (New York City) and the Henry Art Gallery (Seattle). He lives in Brooklyn, New York.
|Helen Schulman (Fiction) is the author of the novels This Beautiful Life, a New York Times Bestseller and Notable Book of 2011, A Day At The Beach, P.S., The Revisionist and Out Of Time, and the short story collection Not A Free Show. P.S. was also made into a feature film starring Laura Linney and was written by Helen Schulman & Dylan Kidd. She co-edited, along with Jill Bialosky, the anthology Wanting A Child. Her fiction and non-fiction have appeared in such places as Vanity Fair, Time, Vogue, GQ, The New York Times Book Review and The Paris Review. She is presently the Fiction Coordinator at The Writing Program at The New School where she is a tenured Associate Professor.|
Darin Strauss (Fiction) is the author of the international bestseller Chang and Eng, and the New York Times Notable Book The Real McCoy, one of the New York Public Library's "25 Books to Remember of 2002," the novel More Than it Hurts You and most recently a memoir Half a Life, winner of the National Book Critics Circle Award. His work has been translated into fourteen languages, and he teaches writing at New York University, for which he won a 2005 "Outstanding Dozen" teaching award. Also a screenwriter, Darin sold the rights to Chang and Eng to Disney, and is currently adapting the novel for the screen with the actor Gary Oldman. Another screenplay on which he collaborated is in pre-production at Paramount Studios. Darin was awarded a 2006 Guggenheim Fellowship in fiction writing.
|Colson Whitehead (Fiction) was born in 1969, and was raised in Manhattan. His first novel, The Intuitionist, concerned intrigue in the Department of Elevator Inspectors, and was a finalist for the PEN/Hemingway. John Henry Days followed in 2001, an investigation of the steel-driving man of American folklore. It was a finalist for the National Book Critics Circle Award, the Los Angeles Times Fiction Award, and the Pulitzer Prize. The novel received the Young Lions Fiction Award and the Anisfield-Wolf Book Award. The Colossus of New York is a book of essays about the city, was published in 2003 and was a New York Times Notable Book of the Year. His other novels include Apex Hides the Hurt (2006), which was the recipient of a PEN/ Oakland Award, and Sag Harbor (2009). He has received a MacArthur Fellowship, a Whiting Writers Award, and a fellowship at the Cullman Center for Scholars and Writers.|
|Deborah Landau (Director) is the author of The Last Usable Hour, a Lannan Literary Selection published by Copper Canyon Press, and Orchidelirium, which won the Anhinga Prize for Poetry. A third collection of poems, The Uses of the Body, is forthcoming from Copper Canyon Press. Her poems and essays have appeared in Boston Review, The Paris Review, Tin House, The Best American Erotic Poems, The Kenyon Review, The Wall Street Journal, and The New York Times, and have been translated into Mongolian, Romanian, Russian, and Greek. She was educated at Stanford, Columbia, and Brown, where she was a Javits Fellow and received a Ph.D. in English and American Literature. For many years she co-directed the KGB Bar Monday Night Poetry Series and co-hosted the video interview program Open Book on Slate.com. She directs the Creative Writing Program at NYU. Photo © by Sarah Shatz.|
Program Dates (Upcoming Residencies): January 4-13, 2015; July 5-14, 2015.
Housing: Accommodations in Paris are available in a variety of different neighborhoods, configurations and price points.
TUITION & FEES
Tuition for the program will be approximately $25,000 per year, with separate payments due for the January, Spring, Summer, and Fall terms respectively. Tuition fees are subject to a yearly increase. Although the exact amounts for next year have yet to be announced, tuition for the current 14-15 academic year can be calculated as follows:
Tuition per unit, per term: $1,554.00
Tuition per year (16 units): $24,864
Registration fees (based on 16 units of tuition per year) are calculated according to the following fee structure:
First unit Fall Term 2014: $461.00
First unit Spring Term 2015: $461.00
Fee, per unit, for registration after first unit: $65.00.
Although departmental funding is not available, students may consult a list of external scholarships and grant opportunities here.
The MFA Writers Workshop in Paris is currently accepting applications for the July 2015 residency period. Students may apply for either the MFA in Fiction or in Poetry. All applicants must submit online using the GSAS Application Form only by March 15, 2015. No portion of the application should be mailed directly. The GRE requirement has been waived for the MFA Writers Workshop in Paris. For more information about the program, including details on academics, housing, costs, and the application process, please contact the NYU Creative Writing Program at 212-998-8816 or firstname.lastname@example.org.